Z.S Liang
Z.S. Liang, born in China in 1953 and raised in a family of artists, published his first painting at age 6 in a children’s magazine. His art education spanned two continents, beginning at the Central Academy of Fine Art in
Beijing and continuing to the Massachusetts College of Art and Boston University. His award-winning paintings hang in both corporate and private collections around the world and several of his murals are permanently on
display in New York City. His works are in corporate and private collections throughout the
United States and many other countries, including Sheraton Corporation, Marriott Corporation, Weseda university Tokyo and the West Point Museum. Among the many awards Liang has received are the Best of Show and People’s Choice at the American Society of Portrait Artists, the Arthur Ross Award for Painting
at the Classical America New York, and the Lila Acheson Wallace Award for Painting at the Society of American Illustrators. Liang’s paintings have been featured in the Artist’s Magazine and the International Artists.
Z S Liang 'Pequot Warrior' Smallwork
The introduction of Z. S. Liang to the Greenwich Workshop family with the release of Pueblo Street Market, 1920s was an immediate success. Along with artist Mian Situ, Liang has been dubbed one of the heirs apparent to the legacy of master artists Howard Terpning and Frank McCarthy. Liang's exceptional talent with color and light is evident in Pequot Warrior, his stunning first Greenwich Workshop SmallWorks™ release.
Greenwich Workshop Fine Art SmallWorks™ Giclée Canvas:
limited to 75 s/n.
9"w x 12"h.
April 2008
Price: £125.00
Z S Liang ' Pueblo Street Market, 1920s' MasterWork™ Greenwich Workshop Fine Art Giclée Canvas
Z. S. Liang, born in China and raised in a family of artists, was first published at age 6 in a children’s magazine. His art education spanned two continents, beginning at the Central Academy of Fine Art in Beijing and continuing at the Massachusetts College of Art and Boston University. Liang encountered his first great inspiration in this country while studying and painting the Wampanoag Indians in Plymouth, Massachusetts. He began to focus his painting primarily on Native American cultures and their traditional way of life. Liang's passion for the Indians as a people, coupled with his emphasis on historical accuracy, imbues his portraits of them with strength and truth.
Liang’s inspiration for Pueblo Street Market, 1920s was the Beale Wagon Road across New Mexico and Arizona which was opened to automobile traffic in 1926 and renamed the National Trails Highway Route 66. Entrepreneur Fred Harvey, capitalizing on the newly available roadways, offered “Indian Detours” of the Southwest.One of the most popular packages was a trip in a Packard touring car (or “Harveycar”) into the pueblos, where the tourists could enjoy the landscape and architecture and shop in the markets.The original painting was Liang’s entry in the prestigious, by-invitation-only Masters of the American West Fine Art Exhibition and Sale.
MasterWork™
Greenwich Workshop Fine Art Giclée Canvas:
limited to 35 s/n.
50"w x 36"h (unstretched).
THIS IS NOW SOLD OUT AT THE PUBLISHER
Z S Liang 'Circling the Enemy', MASTERWORK CANVAS EDITION
During the mid-nineteenth century, conflict with resident Native Americans intensified as settlers continued their westward expansion. This mixed party of Lakota and Northern Cheyenne warriors stands literally between the West and an approaching convoy of covered wagons. The skies are dark and threatening, emphasizing the imminent expansion and conquest of the Native Americans. They ride out bravely in the setting sun, aware that it may already be too late to preserve their land and their lives. “The physical strength of the horses and the daring of the men,” says Z.S. Liang, “combined with the pounding hooves and war cries, generate a sense of great energy and power in this mounted strike force!”
Those who are fortunate enough to see Z.S. Liang’s work in person are quick to compare him to the great masters of modern Western art, from Frank McCarthy to Howard Terpning. Within the last year alone, the market for both Liang’s originals and limited editions has erupted. Pueblo Street Market, 1920s, his last release from The Greenwich Workshop, was Sold Out at Publisher within thirty days. This is your chance to purchase a spectacular and dynamic work from one of the rising stars of Western art—don’t miss out!
Image size: 52"w x 33"h.
Edition Size:35
Published from the artist's original work
THIS IS NOW SOLD OUT AT THE PUBLISHER
Z S Liang 'Circling the Enemy'
During the mid-nineteenth century, conflict with resident Native Americans intensified as settlers continued their westward expansion. This mixed party of Lakota and Northern Cheyenne warriors stands literally between the West and an approaching convoy of covered wagons. The skies are dark and threatening, emphasizing the imminent expansion and conquest of the Native Americans. They ride out bravely in the setting sun, aware that it may already be too late to preserve their land and their lives. “The physical strength of the horses and the daring of the men,” says Z.S. Liang, “combined with the pounding hooves and war cries, generate a sense of great energy and power in this mounted strike force!”
Those who are fortunate enough to see Z.S. Liang’s work in person are quick to compare him to the great masters of modern Western art, from Frank McCarthy to Howard Terpning. Within the last year alone, the market for both Liang’s originals and limited editions has erupted. Pueblo Street Market, 1920s, his last release from The Greenwich Workshop, was Sold Out at Publisher within thirty days. This is your chance to purchase a spectacular and dynamic work from one of the rising stars of Western art—don’t miss out!
Image size: 34"w x 21"h.
Edition Size:50
Published from the artist's original work.
LIMITED AVAILABILITY
Price: £475.00
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